Off the Hook Arts’ Summerfest 2019 has come and gone, having treated Fort Collins residents to a mixture of science ... [Read more]
The Dark, Coiled Intensity of F Minor
February 9, 2020 @ 4:00 pm - 6:00 pm
Tickets can be purchased through the Rialto Theatre for this performance.
Off the Hook Arts presents the Brentano String Quartet as part of WinterFest 2020. Featuring music in F Minor by Bach, Beethoven, Mendelssohn, and Shostakovich plus the world premiere of Bruce Adolphe’s Coiled, based on Beethoven’s F Minor quartet “Serioso” Opus 95.
Since its inception in 1992, the Brentano String Quartet has appeared throughout the world to popular and critical acclaim. “Passionate, uninhibited and spellbinding,” raves the London Independent; the New York Times extols its “luxuriously warm sound [and] yearning lyricism.”
“The concert made it clear that these players could well be the best of the latest generation. Their level of individual technique was superb, while musical dialog necessary for rich chamber music was evident from first to last.” — Philadelphia Inquirer
- Bach Prelude in f minor from Book 2 of the Well-Tempered Clavier J. S. Bach (1685 – 1750)
- Beethoven Quartet in f minor, Op. 95 Ludwig van Beethoven (1770 – 1827)
- Bruce Adolphe Coiled (inspired by Beethoven’s Op. 95) (2017) world premiere Bruce Adolphe (1955 – )
- — Intermission —
- Shostakovich Quartet No. 11 in f minor Dimitri Shostakovich (1906 – 1975)
- Mendelssohn Quartet in f minor, Op. 80 Felix Mendelssohn (1809 – 1847)
Program Note: The program starts with a Bach Prelude that introduces f minor as a key that admits little light, closed in and dense. In Op. 95 (“Serioso”), Beethoven wrote a work that is compact and brutal. When the Brentano Quartet approached Bruce Adolphe to write a work inspired by the Beethoven he answered immediately: “Opus 95: so many nuggets of genius: the unhinged rhythmic knots, the scales off the cliff’s edge, the muttering, the gnashing of molars!” The result is his new work, “Coiled,” written for this program.
That coiled intensity also informs Shostakovich’s Eleventh Quartet in f minor (Beethoven’s f minor is also his eleventh), that compressed, eloquent masterpiece. And it is no coincidence that Mendelssohn’s final quartet, written in the anguished aftermath of his beloved sister’s death, refers in key and affect directly to this seminal Beethoven work.
Tickets for this performance are available through the Rialto Theatre.